My work is constantly evolving as I learn new techniques and explore different ways to combine decorative elements within my work, whether through form or surface design.

I often work intuitively, marking out and piercing by hand, allowing myself to be absorbed in the flow of making. I take a maximalist approach to my work by layering up decorative surfaces and combining a mixture of techniques, etching, roller printing, keum boo, gold plating and oxidising.  These combinations result in a richness and opulence, and what at first glance might look like a Greek headdress, or a baroque frame, on closer inspection is imbued with a contemporary aesthetic.

Here’s some insight into the techniques I’m currently using, which I often combine to create layers of depth and intrigue:

  • Maquettes

    Maquettes

    I am completely obsessed with making moquettes and models of my pieces. There is something incredibly freeing about working quickly, in non precious metals, experimenting and playing with scale and form. This process is where I find my inspiration, allowing me to push the boundaries of my art and discover my best ideas.

  • Etching

    The process of etching fascinates me, and I love that it gives me the ability to transfer intricately decorative patterns onto a surface relatively quickly. I use PNP paper to transfer my pattern onto a flat surface, and then attach it to a rather makeshift contraption of polystyrene, electrical tape and toothpicks. This is then immersed Into the acid, where I wait for the magic to happen.

  • Keum Boo

    I have always loved the colour of gold, and when I discovered the ancient Korean technique of kuem boo, I fell in love. Through a combination of heat and pressure (hot plate and burnisher), gold attaches to the surface of fine silver through a diffusion bond, an atom exchange at the interface of the two metals. 

  • Saw Piercing

    This is one of the simplest techniques I use, and it serves as my ultimate form of therapy. I hand draw my designs, and then using a 0.4mm drill bit and my trusty miniature bow drill, I create multiple holes on the surface. I then begin the therapeutic process of saw piercing using a teeny tiny 8/0 saw blade. 

  • Soldering

    I learned to solder with a traditional mouth-blown torch, and it's a technique I continue to use today. I like the level of control it offers, and the mindful practice of steadying my breath adds a meditative aspect to my work. The magical feeling of watching the solder flow is incomparable.

  • Oxidisation

    When the piece is completely finished, I always look at it and think ‘Maybe I should keep it silver and gold’. I always ponder this for a while, before giving in and immersing it in the oxidising solution, when the contrast of gold and black creates a striking, luxurious piece of jewellery.